Boruto: 122 ((better))

The best moment is the climactic counter: Boruto uses a wire string to redirect a puppet’s arm into disabling its own core. It’s a callback to Sasori vs. Sakura/Chiyo, but simplified, slowed down, and made readable for a younger audience. In an era of Demon Slayer levels of flash, Boruto 122’s quiet, mechanical fight is almost nostalgic—not for Naruto , but for the pre- Shippuden era when tactics mattered more than explosions. The episode is not flawless. The premise—a stolen scroll containing a “forbidden puppet technique”—is a MacGuffin so generic it hurts. Tanigakure’s worldbuilding consists of exactly one cliff and one house. And Konohamaru, the team’s jonin leader, does absolutely nothing except look worried, continuing the series’ unfortunate trend of sidelining interesting adult characters.

This is mature writing for a 12-year-old character. Boruto doesn’t try to convert Kankitsu; he simply exposes the hypocrisy of revenge disguised as grief. And in the end, Kankitsu is arrested, not redeemed. The episode resists the saccharine conclusion that every villain deserves a hug. Some people, it argues, just choose the wrong path. Visually, Episode 122 is not going to appear on any sakuga reels. The character models are stiff, and the backgrounds are sparse. But director Yuki Kinoshita makes a virtue of necessity. The puppet battle is shot in wide, static frames that emphasize positioning and strategy over impact frames. When Boruto’s Shadow Clone feints and he slips behind Kankitsu’s puppet, you feel the tactical geometry of it. boruto 122

But beneath its modest budget and low-stakes premise, Episode 122 succeeds for a simple, almost subversive reason: it stops trying to be Naruto and finally remembers how to be Boruto . Let’s address the elephant in the room. Puppet jutsu is sacred ground. In Naruto Shippuden , Sasori of the Red Sand elevated puppetry from a gimmick (Kankuro’s Karasu) into a haunting philosophy of immortality. Episode 122 invites that comparison immediately. Kankitsu, the villain of the week, is a failed Tanigakure shinobi who uses Kugutsu no Jutsu with a tragic backstory (dead master, destroyed village, desire for revenge). The best moment is the climactic counter: Boruto

In the sprawling, high-stakes world of Boruto , where gods and cyborgs now dictate the power ceiling, Episode 122, “The Puppet Battle,” is a curious anomaly. On its surface, it is a filler-lite detour: Team 7 (minus Sarada) arrives in the hidden village of Tanigakure—the "Village of the Meteor Hammer"—to retrieve a stolen scroll and encounters a rogue puppet user named Kankitsu. In an era of Demon Slayer levels of

Boruto’s response is not the typical shonen “I will beat you and we will be friends.” Nor is it Naruto’s “Talk no Jutsu.” Instead, Boruto acknowledges Kankitsu’s pain (“I understand wanting to protect someone important”) but firmly rejects his method. The pivotal line comes when Boruto says: “Using your master’s legacy to destroy what he protected—that’s not honoring him. That’s just your own selfishness.”

In a franchise increasingly obsessed with scale, “The Puppet Battle” is a humble reminder that the best ninja stories are often the smallest ones. It’s not about saving the world. It’s about knowing when to cut the strings.