Her flat stroke lifted off the screen . The white parts of the stroke became towering peaks; the black parts, deep valleys; the grays, smooth slopes. Photoshop had built a 3D model of her stroke—a digital mountain range of paint.
She rendered the 3D layer. It took a minute. When it finished, Elara gasped. photoshop impasto
But it was just a gray, metallic-looking object. To make it impasto , she needed to wrap her color around the texture. Her flat stroke lifted off the screen
Now the red petal clung to the high peaks of the stroke. She rendered the 3D layer
She began with a grayscale image of a single, violent brushstroke, painted with a rough, chalky brush on a transparent layer. She saved it as a PSD. Then, she went to 3D > New Mesh from Grayscale > Plane .
The magic happened.